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On Similarity, Derivation and the Cognition of Musical Structure

Identifieur interne : 000750 ( Main/Exploration ); précédent : 000749; suivant : 000751

On Similarity, Derivation and the Cognition of Musical Structure

Auteurs : Adam Ockelford [Royaume-Uni]

Source :

RBID : ISTEX:42DC3D0266AB1A79F5C89F82C58EB53C45479A04

English descriptors

Abstract

Following a review of the model of similarity perception, cue abstraction and categorization, developed and empirically tested by Deliège and others over the last decade or so, it is proposed that the notion of perceivedderivation may be a key additional element in the cognition of musical structure. Evidence is sought in the re-analysis of recent empirical work and through the identification of structures that appear to challenge the sufficiency of Deliège’s model. The issue is contextualized through a discussion of the concepts of similarity, sameness and salience, utilizing contemporary thinking in cognitive psychology, philosophy and music theory–strands of thought which are drawn together through Ockelford’s ‘zygonic’ theory of music-structural understanding. This leads to the formulation of a new, composite account of how musical structure is processed, in which similarity, salience, derivation,categorization and schematization are shown to function in an integrated way.

Url:
DOI: 10.1177/0305735604039282


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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<div type="abstract" xml:lang="en">Following a review of the model of similarity perception, cue abstraction and categorization, developed and empirically tested by Deliège and others over the last decade or so, it is proposed that the notion of perceivedderivation may be a key additional element in the cognition of musical structure. Evidence is sought in the re-analysis of recent empirical work and through the identification of structures that appear to challenge the sufficiency of Deliège’s model. The issue is contextualized through a discussion of the concepts of similarity, sameness and salience, utilizing contemporary thinking in cognitive psychology, philosophy and music theory–strands of thought which are drawn together through Ockelford’s ‘zygonic’ theory of music-structural understanding. This leads to the formulation of a new, composite account of how musical structure is processed, in which similarity, salience, derivation,categorization and schematization are shown to function in an integrated way.</div>
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